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florence

I know, I know, the ingredients might be challenge — chicken combs and testicles aren’t the easiest to obtain or to handle for some — this isn’t for the faint of heart. But I will say that this is a wonderful, divine and very special dish with an incredible Florentine history, and I think in today’s context is still extremely relevant as a sustainable and respectful choice for omnivores who care about eating for the planet.
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We used to live on Via dei Neri, the street that runs from the back of the Uffizi Gallery towards Piazza Santa Croce. It was more than 10 years ago now, when it was still a residential neighbourhood of central Florence. Despite being in the shadow of Palazzo Vecchio and two steps to all the monuments, people lived here — you could tell from the little shops like the fruttivendolo for fresh fruit and vegetables, the bakery and even the little dry cleaner.
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My first baby, Florentine: The True Cuisine of Florence, which I started writing in 2014, was published in 2016. And this month it has been launched in Australia and the UK (the US will have to wait a few more months until 9 February 2021) with a brand new look! It has a slightly smaller format to the original, still hardback only, and a moodier, darker, beautiful marbled cover.
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These are strange and surreal times and unless you’ve been hiding under a rock (not such a bad idea) you probably already know that the entire nation of Italy is under lockdown in an attempt to contain the coronavirus, Covid-19. Things change every day, with new regulations, new realities, new travel bans, new closures, every single day. The current situation on the 13th of March is this: Florence is deserted as citizens are encouraged to stay home until April 3rd.
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Book right away for July 2-5 here or September 10-13 here! We have had such an incredible response to our White truffle and Wine retreat in November that we couldn’t wait to share a few more dates for similar — but ‘mini’ versions — food and wine focused workshops. The first will be in July 2-5, 2019, and the second will be in September 10-13, 2019, which will coincide with the wine harvest season.
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This isn’t a pretty dessert, let’s face it. But then so many treats that you could label comforting aren’t usually, are they? And I would put this in the same category as bread and butter pudding, rice or semolina pudding, even french toast or pancakes. It’s simply good, rather wholesome, definitely rustic and absolutely homely. An oldie (literally; it comes from Pellegrino Artusi’s classic cookbook from 1891) but a goodie, I’ve made a few modifications to the nineteenth century version.
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When I was writing the manuscript for Florentine, I enlisted the help of an army of recipe testers — about 80 people from all over the world — to test every recipe thoroughly. Only one came back to me consistently with problems. From Minnesota to Melbourne, three testers wrote to me that their very first attempt at making Tuscan gnudi (ricotta and spinach balls that, rather than be encased in pasta like for ravioli, are simply dusted in flour) resulted in a pot of simmering water with “dissolved” gnudi. 
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This is not a very practical recipe unless you chance upon a basket of wild plums at your local farmgate, like I did, while picking out some enormous, gnarled tomatoes, sunny zucchini flowers and purple and white eggplants the size of my fist. Or, even better, find yourself a wild plum tree that no one else (birds and bugs included) has noticed.
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It was 2001. Two weeks shy of my 21st birthday, exactly 15 years ago. I arrived at the Santa Maria Novella station in Florence after flying halfway around the globe to Rome to start a semester-long etching course as part of my Fine Art degree. I had a suitcase and a few Italian lessons behind me — not enough to understand a conversation but maybe to figure out a menu, for the most part. 
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I’ve put up with some pretty awful kitchens in my 18 years of renting, particularly in Florence. Most of them called for some inventive improvising and I’m sure in some way or another that I’m a better, or at least more resourceful, cook because of them. There was the one in the studio apartment with a mini bar as a fridge and only one burner, next to the bed.
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We’ve moved again. I’m losing count but I think it’s the seventh move since I started this blog which I began while living in a shabby fifth-floor apartment that I fell in love with for its rooftop views of Florence’s Palazzo Vecchio, never mind that it was freezing in the winter and a sauna in the summer (the bathroom may have been miniscule with no water pressure but who could pass it up when there was a view of the Duomo from its miniature window?).
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{Updated 16 January 2020} One of the things I was keen to include in my first cookbook Florentine was a little address book of my favourite places to eat and shop for food like a local. They’re places I like to go to, places where you are guaranteed to find really typical Florentine dishes, at a good price, and eat well.
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I had known about this place for years, heard so many good things, knew it was just the sort of place I would love. But somehow it took me years to get there — perhaps because of not being right in the centre of Florence (it’s in the neighbourhood of Peretola, very close to the airport) and having opening hours that aren’t always easy to fit in with (they’re only open for lunch during the week and Friday nights for dinner).
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It’s been two months since the book has “been out there” — Two exhilarating, nerve-wracking and unbelievable months and sold out book launch dinners and workshops in Melbourne, Sydney, Canberra and London! To say thank you for all the wonderful support and enthusiasm for Florentine, I’m sharing one of my favourite recipes from the book — a humble but delightful apple cake — and I’m giving away a limited edition print from the book to one lucky reader!
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It’s officially out! We launched Florentine last week and the cookbook has started arriving on shelves. It’s finally out there. Now that it is, and this huge project, which began two years ago, is out there for everyone to see, I feel the urge to talk about the wonderful people who I worked with to make it what it is, because it is very much a collaborative project — from the publishing team, to the designer who created the beautiful marbling on the book’s cover, to the recipe testers who responded to my blog call out, to my friends and family who I forced to eat Florentine food for months on end, to my husband Marco’s advice and support, to my sister Hana who flew with me to Florence to take care of my then nearly-two-year-old while I took photographs for the cookbook, I had help.
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Two years ago I received an email from a publisher asking if I would like to make a cookbook. It was a wild, far fetched dream of mine come true. And finally, it’s here – an ode to the city where I met my soul mate, started my blog and feel most at home. To celebrate the release of the book, I have a series of events lined up in Melbourne, Sydney and Canberra.
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I love to eat at a place where there’s a bit of action (and interaction) in the kitchen during service, and Teatro del Sale is just the place for it in Florence. It is part of the kingdom of Florentine chef, Fabio Picchi, who runs four fabulous eateries all on the doorstep of the Sant’Ambrogio Markets. But rather than the more formal world of Picchi’s famous Cibreo restaurant, at Teatro del Sale, you get the good, no-nonsense food, atmosphere and entertainment, at a super bargain price.
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You know when you have a dish in a restaurant that you can’t stop thinking about and every time you go you can’t bear to veer away from that dish so you keep ordering it, never trying anything else because you have been constantly thinking about it since your last visit? Well this, for me, is one of those. It is quite simple – chicken in butter, presented just as it sounds, a tender chicken breast floating in a delicious sauce of butter.
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As long as I can remember I have wanted to write a book. But in more recent years, the book of my dreams has been a cookbook. Like many with a similar dream, it’s really the whole reason I began this blog. And then one day, just like in a dream, I received an email, out of the blue. Are you doing a book?
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Today is bittersweet. It’s the last edition of Italian Table Talk, which, if you have been following over the past two years, is a monthly discussion on an aspect of Italian culinary culture that I’ve shared with fellow bloggers, Jasmine, Giulia and Valeria. It’s been an inspiring exchange, one that I’m honoured to have been part of. But after two years of emailing, brainstorming and recipe swapping, we’ve decided to finish Italian Table Talk with the theme of books.
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I do love a happy accident in the kitchen – that pleasant surprise when something you didn’t mean to do turns out marvellously well. It happens all the time, a missing ingredient that you forgot or didn’t have, for example, that makes the dish even better than the original. Of course, this might just be luck. The same thing can have the opposite effect too, depending on the circumstance and the ingredients.
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There are certain dishes that I love eating when in Florence, seated at a bustling and often crowded trattoria at lunchtime, because firstly, there’s the atmosphere that is just as much part of the dish as the bare ingredients and secondly, there is something so nice about having these things made for you by well-versed hands. But I finally decided that this in particular, these plump, melting, whole artichokes, cooked in a simple Tuscan manner with just the right accompaniments, is a dish that I should make at home so that I can have it as often as I want when I’m not in Florence.
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I’m very pleased to announce a new and exciting collaboration coming up in October this year – an incredible, sixday gastronomic getaway in Tuscany and the opportunity to be immersed in age-old traditions of Tuscan cuisine following the lead of the great-grandfather of Italian cuisine, Pellegrino Artusi, whose nineteenth century cookbook Science in the Kitchen and the Art of Eating Well is one you’ll still find in practically every Italian kitchen.
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When I was still newly, madly in love with Florence, only four months into the relationship, I was taken around Venice for an afternoon by a friend of a friend, an American and a Venice-lover. It turned out to be Eric Denker, art historian from the Smithsonian and the National Gallery, who must have been Venetian in a former life, such is his knowledge and passion for the city.
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After a good five weeks away at our “other home” in Tuscany, Melbourne’s autumn is being particularly kind in letting me ease into the idea that winter is on its way. With crisp weather that doesn’t bite you if you don’t do up your coat or you forget your scarf, trees slowly dropping their beautiful yellow leaves like slow motion confetti and even some gorgeous sunny days, the only thing I can really complain about are the shorter days.
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It goes without saying that Florence is a city that lives in its past. In every nook and cranny, history – a fantastic, unique history that influenced the way the entire world saw things – seeps out onto the well-trodden stone streets and into the every day. On some occasions all it takes is walking right through the centre of town, passing over literal layers of history in a square like Piazza della Reppublica, the spot where the medieval mercato vecchio, the ‘Old Markets’, of Florence were once the beating heart of the city.
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Breakfast is such a cultural eye-opener, at no other meal time do you get such a view of a place or a person than through their first meal of the day. For some, it’s a strictly savoury affair, often resembling lunch or even dinner, for others it’s always sweet or perhaps all it consists of is a cup of coffee. We’ve decided this month to make breakfast the topic of Italian Table Talk with Giulia whipping up a fresh batch of cornetti and Valeria going back to her childhood with panini con l’uva, raisin buns.
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It’s been a year and a half since we left Florence ‘for good’ and settled into a new and starkly different life in Melbourne. A lot has happened in that time that probably wouldn’t have happened if we’d stayed in Florence, which is a reason why we left – so that things might happen. Marco has worked with three of Australia’s best chefs and their restaurants as a sommelier.
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There aren’t many of us who couldn’t do with saving a bit of cash, especially around this time of year when, leading up to Christmas, money seems to fall between the gaps in your fingers like water. For us this year, the count down to Christmas is also taking on another meaning as we’re about to become parents. It’s an exciting time but the thought of also not being paid for the next six months or so is daunting, to say the least.
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This is one of those things that you crave for many months of the year but can only find for a fleeting moment. Then you have to wait patiently for the rest of the year before they will appear again in bakery shop windows. You can of course make it at home (that’s what the recipe is for!), but grapes – and the best ones to use for this delicious treat, local Tuscan wine grapes such as canaiolo or American concord grapes, called uva fragola in Italian (“strawberry grapes”) for their sweetness – are seasonal too, and can usually only be found around harvest time in the month of September.
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These lovely little buns with a delightfully sticky top, fragrant with fresh rosemary and studded with sweet, zibibbo raisins, have always been a little indulgence of mine. Often written also as pandiramerino (which looks like you’re saying it so fast that you don’t even need to take a breath), pan di Ramerino, means literally “rosemary bread” (rosemary is actually rosmarino in Italian but the Tuscans hold on charmingly to their own dialect word, ramerino, with this old-school pastry).
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Whenever someone asks me about the quintessential Florentine dish, two things immediately come to mind, which should also be an indication of the carnivorous Tuscan diet. The first is panini al lampredotto – tripe sandwiches, which are not everyone’s cup of tea (but they should be!). The other is the colossal bistecca fiorentina – Florentine steak. Curiously, the Italian word bistecca is actually borrowed from the English “beef steak.” Pellegrino Artusi has a recipe for bistecca fiorentina in his 1891 cookbook, which is still – as with all of Artusi’s recipes – the classic way to cook a real bistecca.
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Saint days are not only times for rituals, celebrations and traditions but they are also handy seasonal reminders, like a bookmark in the calendar. San Giovanni or St John the Baptist day, June 24, is a perfect example. Being near the summer solstice, it’s a day that signifies midsummer and celebrates the bountiful summer season. St John the Baptist is Florence’s patron saint so on June 24 the Florentines are gearing up for a day off with an afternoon of gory sports performed by beefy tattooed Florentine men wearing historical costumes (a Renaissance tradition known as calcio storico), and an evening of fireworks and festivities.
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If there were one defining ingredient in a Tuscan kitchen, one absolutely essential part of every single meal, it would have to be bread; not just any bread, but pane toscano, Tuscan bread. It’s a large, rustic, usually oval-shaped loaf baked in a woodfired oven with a hard and crunchy outer shell and an inside of bland (yes, bland), springy white bread.
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There are many rituals closely associated with Italian eating habits – the morning espresso or pre-dinner aperitivo, for instance, the post-dinner digestivo or post-dinner, post-coffee ammazzacaffè, ‘coffee killer’. But one of my favourites is the post-meal passeggiata, gelato in hand. It’s a ritual that’s hard to keep up living outside of Italy, unfortunately. For one, there’s not enough strolling that goes on these days on a regular basis like the passeggiata; two, gelaterie aren’t open until midnight like you find in Florence and three, I hate to say it, but the gelato is just not the same.
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Who doesn’t love a “top” list? I think they can be really useful to give a quick rundown on what’s on offer when you visit a place like Tuscany that has so much to offer for a foodie. It’s not easy compiling a list like this, I have to say, it could have easily grown to 100! But I wanted the list to include things you haven’t necessarily heard of before, all the places I love and frequent when I’m in town.
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I love finding old cookbooks, hand-me-downs from relatives or books found rummaging through second hand bookshops. Once, I even carted home a box full of old cookbooks waiting for the recycling truck. There are treasures in these books, even little ones, like a dog-ear and stained page from that well-used recipe, or – my favourite – a handwritten recipe tucked away in the pages.
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If someone were to ask me for the most typical Florentine dish, my answer would be simple: panini di lampredotto. Round bread rolls, opened up and filled with steaming hot lampredotto, topped with salsa verde. It is a dish and a tradition only found in the city of Florence. Lampredotto (the fourth stomach of a cow, technically known as the abomasum in English) is not easily found in other cuisines, but the Florentines have been preparing it for centuries as a quick, cheap and easy meal.
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I have to admit that my love affair with Florence did not start with the typical “love at first sight:” But it wasn’t far off. I was a twenty-year-old art student when I had my first taste of living in Florence, exactly ten years ago. I arrived at the train station with my luggage and not much else – no where to stay, nothing booked, no contacts.
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In a couple of week’s time I am going to feed myself exclusively on one thing, schiacciata all’uva. It begins appearing in Florentine bakery windows in September (some even earlier) and only lasts a month at the most, which is why I’m going to make the most of it while I can. Schiacciata is basically a Tuscan focaccia, the word literally means “flattened” and describes its shape.
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Tripe. The very word itself usually causes a scrunched-up face on the person whose ears have been subjected to the offensive word. What exactly is it about the suggestion of tripe,  or any sort of offal for that matter, that causes such displeasure? Is it because it’s identified more closely to its origins than, say, processed ham or a hamburger? Surely that’s a good thing – knowing where your food comes from and what exactly is in it.
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The Artist’s Table When you live in a city where the stones of nearly every building have witnessed the hand prints or the footsteps of famous artists and architects, you can either get used to it quickly and forget about it or continue to marvel at the history of the place with every step that you take when you pass through the city.
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If there was one defining Tuscan recipe for me it might just be the recipe for chicken liver pate served on crostini, otherwise known in Italian as crostini di fegatini, crostini neri (‘black crostini’) or crostini toscani.   This favourite Tuscan antipasto is rustic, tasty, cheap and sensible, reflecting the peasant roots of Tuscan cooking where nothing was thrown away (this makes good use of day old bread and cheap chicken livers) and it features on the menu of literally every trattoria in Tuscany, not to mention on the tables for every birthday, Easter, Christmas or other important family gathering in a Tuscan home.
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Any food lover is likely going to love to eat their way through Florence, but many of city’s most traditional dishes are probably not what you think they are. The Florentines, like most Italians, have a very important relationship with their cuisine. They have very strict rules about what can be eaten when, with what accompaniments and in what particular order.
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