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cucina povera

When I think of cucina povera — literally “cooking of the poor” or peasant cuisine — I think of things like this dish of Sicilian involtini, which are satisfyingly filling and relatively inexpensive to make for a large gathering as a little goes a long way. We got to make and taste these when I was at Anna Tasca Lanza last year for their annual tomato paste making in August with Fabrizia Lanza.
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I was dropping in on Marco’s aunt and uncle, Franca and Riccardo a few years ago. We let ourselves in through the gate, attempting not to let Asia, the giant Maremma sheepdog, escape, and slipping into the house where, behind several piles of books, Riccardo was printing out a short story to share with me. It’s about cake; he thought I would like it.
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What a summer! Post-lockdown Florence is bittersweet, we are wary and careful – masks still on, distances kept, obsessive hand washing and hand sanitizer a prerequisite for entry into any indoor space – the streets and piazze are free of travellers and previously tourist-dependant parts of the city now are left for residents to discover their own city again. It’s great to be able to see friends and family again and even take the odd weekend away (to nearby Maremma or Venice), but to be honest I’m still reluctant to be out in public too much – home is definitely a haven for me, where I feel most comfortable and where food is still providing comfort and nurturing.
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Cooking as a family has been keeping us grounded and inspired lately. We have been baking a lot, Marco has started a new sourdough project, while Mariu, our 7 year old, and I have been making some recipe videos. These are two really easy recipes that you can make with stale bread — and I mean you can use completely rock hard bread.
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I began researching this recipe a while ago when I decided to put it into my Regional Italian Food column schedule. I was sort of obsessed with the intense magenta of the beetroot filling and the incredibly simple pairing of butter and poppyseeds as a sauce. I thought, if anything, people would love looking at it but that hopefully the beauty of the dish would be enough to inspire them to try out the recipe too – that’s how I got hooked.
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While I love summer for its fruit, autumn for its earthy flavours and winter for hearty dishes, spring is my favourite time of year for vegetables – asparagus, broad beans, artichokes. And then there are the wild things – weeds, herbs and vegetables that grow spontaneously, filling up cracks in the pavement or taking over fields or overgrown garden corners.
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This is a clever and thrifty dish with peasant origins from Puglia, the most southern tip of Italy’s peninsula. It’s an area which is rich and abundant in seafood, grains and vegetables but over the centuries has seen some of the worst poverty in the country. It’s famous port city, Taranto, is known as the city of two seas as it’s home to two geographically interesting bodies of water known as “The Great Sea” and the flat, lagoon-like, “Little Sea”.
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It’s been busy over here lately, with lots of researching and recipe testing going on in between nap times and the demands of a nearly eight month old (none of which I am able to do without the help of Marco, my husband and number one pasta maker), but finally I’m very excited to announce the launch of my new weekly column over at Food52, dedicated to regional Italian food traditions and recipes.
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It was my first time being recognised out on the street by a reader of my blog, a moment that made me feel a little bit the celebrity for the rest of the day. There I was on a drizzly winter’s day at my local farmers’ market, having a morning snack of an excellent spring onion pancake, when someone came up behind me.
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There’s a lot to be said about leftovers – thrifty, comforting, time-saving and, in many cases, even more delicious than in their original state, as is the case with stews, ragus, and anything where flavours left mingling for days only improves the dish. Whether you’re cooking for one, for many or are a sleep-deprived new mother at the beck and call of a six-month old, re-inventing leftovers can sometimes be the best answer to dinner.
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Every now and then along comes a recipe that you may have glanced at, skimmed through, perhaps even mentally bookmarked, but between one thing and another maybe you’ve never found the time, the inspiration or the energy to actually make it. Maybe you’ve even forgotten about it. And then one day you remember it, you’re in the mood for it or something else spurs you on.
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From Melbourne’s Indian summer, I’ve been propelled into Tuscany’s spring – and apparently I brought the warm weather with me. Though the trees are still bearing winter’s naked branches, the hills and fields are covered in a brilliant green cloak, often dotted with flowers. Even the cracks of the concrete and stone footpaths of Florence are filled with chickweed (a fresh tasting leaf with a slight pea-shoot similarity, lovely for garnishing salads, which just reminds me of something Nigel Slater said of the dandelions in the cracks between the flagstones of his kitchen doors, “I treat the gaps as a source of free salad.”).
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It’s hard to imagine the days before I met Giulia (you may know her better as Juls from Juls’ Kitchen) and we weren’t yet friends, messaging each other constantly and plotting our next meal together. Between Florence and her countryside home in the Sienese hills, we weren’t exactly neighbours but somehow we found time – and plenty of it – to get together to cook or eat, and usually both, together.
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Making fresh pasta from scratch is something I’ve only recently acquired. Or to be really honest, it’s something that my husband Marco has acquired. Whenever there is bread making or pasta making involved, he’s my man. There’s just something about him and dough. Maybe it’s those big, slightly rough hands – they may not be delicate enough for, say, cake decorating, but he’s much more a fresh pasta and bread lover than he is a sweet tooth anyway.
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After living in Tuscany for so many years, November has come to mean many things to me: rainy days, changing colours in the landscape, vino novello (‘new’ wine, that young, grape juice-like wine produced from September’s harvest), white truffles, a cappuccino in the morning to warm up and above all, the olive harvest and that first press of bright green olive oil.
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There aren’t many of us who couldn’t do with saving a bit of cash, especially around this time of year when, leading up to Christmas, money seems to fall between the gaps in your fingers like water. For us this year, the count down to Christmas is also taking on another meaning as we’re about to become parents. It’s an exciting time but the thought of also not being paid for the next six months or so is daunting, to say the least.
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Eggs and tomato are a classic, rustic combination in the cucina povera, the peasant cooking, of Tuscany. In a way, you could think of this even as a variation on the uova al pomodoro (eggs poached in tomato sauce) recipe I posted a couple of weeks ago. They’re both essential, simple, comforting dishes that are quick and thrifty to make – hallmarks of a good cucina povera dish!
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Street food is one of the best ways to get to the nitty gritty of not only a city’s cuisine, but even its character, its history and its habits. It’s also a might fine way to eat your way through a city without burning a hole in your wallet and it happens to be the theme of this month’s Italian Table Talk, a discussion amongst four food bloggers of Italian cuisine’s true facets.
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This age-old Tuscan dish has a name that illustrates that wonderful connection between food and language that Italy is so good at. Sugo finto, literally “fake sauce” or, more appropriately, “fake ragu” (as ‘sugo’ is used as often if not more than the borrowed word ‘ragu’ in Tuscany), is so-called because it is a meatless ragu. Born of the poor peasant kitchens when meat, particularly beef or veal, was a rare and special ingredient, this dish is sometimes also known as sugo scappato, implying that something had ‘escaped’ before it made it to your plate.
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My old boss in Florence once recounted to me, full of nostalgia, that when he was a child, his small hometown near Foggia, Puglia, would hold a pig festival. Essentially it was an age-old tradition where the town pigs would be butchered and celebrated by using the whole beast, right down to the very last drop of blood. The fresh, warm blood would be collected and then, on the spot, mixed with milk and chocolate and cooked into a dark, decadent, custard-like pudding – it was the highlight of the festival.
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If someone were to ask me for the most typical Florentine dish, my answer would be simple: panini di lampredotto. Round bread rolls, opened up and filled with steaming hot lampredotto, topped with salsa verde. It is a dish and a tradition only found in the city of Florence. Lampredotto (the fourth stomach of a cow, technically known as the abomasum in English) is not easily found in other cuisines, but the Florentines have been preparing it for centuries as a quick, cheap and easy meal.
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If there was one defining Tuscan recipe for me it might just be the recipe for chicken liver pate served on crostini, otherwise known in Italian as crostini di fegatini, crostini neri (‘black crostini’) or crostini toscani.   This favourite Tuscan antipasto is rustic, tasty, cheap and sensible, reflecting the peasant roots of Tuscan cooking where nothing was thrown away (this makes good use of day old bread and cheap chicken livers) and it features on the menu of literally every trattoria in Tuscany, not to mention on the tables for every birthday, Easter, Christmas or other important family gathering in a Tuscan home.
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Chestnut flour is a great reminder of autumn that easily stretches out my favourite season to last throughout winter. Readily available throughout Tuscany, chestnut flour is produced locally all over the region from Prato to Amiata to be made into pasta, bread and pastries. It is also the essential ingredient in one of my favourite cold weather snacks, Necci. Chestnut flour has a naturally low moisture content, which means in centuries past it was traditionally a good flour for keeping stacked away for the winter.
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Like in many traditional peasant cuisines, Tuscan cooking was quite imaginative when faced with hard times. Tuscans are very good with using up their leftovers, or turning the less noble parts of animals into unforgettable meals. But they were also very good at imagining that they were eating something that they weren’t. My mother-in-law, born right after the war in central Tuscany, once recounted to me that when she was a little a girl they didn’t have the luxury of choice.
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