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cookbooks

Gohan events coming up! This is my first book tour since March 2019, so I am thrilled to be able to come and meet people and celebrate the book with delicious food and chats. I know I need to still visit so many other places, but sadly this is a self-funded trip and it’s very close to Christmas time when bookshops and restaurants get so busy, but if you have an idea for the next book tour’s event location, please let me know!
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My latest cookbook, Gohan: Everyday Japanese Cooking: Memories and Stories of my Family’s Kitchen, will be out 12 September 2023 in the US, 14 September in the UK and Europe and 1 November in Australia. It is a book I have been longing to write for many years, made up of a collection of my most favourite ever, nostalgic recipes of the Japanese home cooking that I grew up with.
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I was dropping in on Marco’s aunt and uncle, Franca and Riccardo a few years ago. We let ourselves in through the gate, attempting not to let Asia, the giant Maremma sheepdog, escape, and slipping into the house where, behind several piles of books, Riccardo was printing out a short story to share with me. It’s about cake; he thought I would like it.
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Introducing my new cookbook, Torta della Nonna ~ Making sweets was my first foray into cooking independently in the kitchen, and as a teenager I could often be found baking my way through my mother’s cookbooks, in particular an American pie cookbook – I have always had a thing for pastry. You will see a bias towards it in this collection too, from southern Italian custard and jam bocconotti to ricotta-filled crostata and Florence’s little rice pudding pastries, budini di riso.
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My first baby, Florentine: The True Cuisine of Florence, which I started writing in 2014, was published in 2016. And this month it has been launched in Australia and the UK (the US will have to wait a few more months until 9 February 2021) with a brand new look! It has a slightly smaller format to the original, still hardback only, and a moodier, darker, beautiful marbled cover.
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What a summer! Post-lockdown Florence is bittersweet, we are wary and careful – masks still on, distances kept, obsessive hand washing and hand sanitizer a prerequisite for entry into any indoor space – the streets and piazze are free of travellers and previously tourist-dependant parts of the city now are left for residents to discover their own city again. It’s great to be able to see friends and family again and even take the odd weekend away (to nearby Maremma or Venice), but to be honest I’m still reluctant to be out in public too much – home is definitely a haven for me, where I feel most comfortable and where food is still providing comfort and nurturing.
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Whenever I make polpette, I have this image in my head of tiny Nonna Lina, Marco’s grandmother, standing by the stove, frying, creating an enormous pyramid of these polpette, only to have people pop in and out of the kitchen, stealing the one on the top, too hot to even hold let alone stick in your mouth. “Polpette” is also the name for meatballs but it can really refer to any roundish fried thing, regardless of whether or not they have meat in them.
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I have a picky eater. For any fellow distressed parents of picky eaters (in particular parents who care about and love food, whose lives even revolve around food) out there, I’m here to say it’s all going to turn out fine. My daughter Mariu was always particular with food. She refused to eat baby mush. Or be spoon-fed. No purees, her tightly sealed lips made sure they never reached her tongue.
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In Carol Field’s In Nonna’s Kitchen, this delicious dessert is called a Torta ripiena di mandorle e cioccolato, in other words, an almond and chocolate tart. Or perhaps you could more literally translate it as a tart filled with almonds and chocolate. Field found this recipe in the handwritten journal of Giovanna Passannanti, a Sicilian woman who was in her eighties when the book was published in 1997.
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One of the most iconic Italian pasta dishes ever, spaghetti con le vongole is a firm favourite of our whole family — which is saying something as my eldest daughter is a dreadfully picky eater! Anyone who has to cook for a picky eater will appreciate that feeling of immense satisfaction (and perhaps relief) at being able to cook just one thing that everyone can enjoy together — well, for us, it’s this.
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I am instantly drawn to recipes that require only a few ingredients. I don’t know what is more appealing, the simplicity of the recipe or the curiosity that draws me in: will it really be that good? I often find these recipes in old cookbooks. Somehow I think we over complicate things now, adding more than what is necessary or perhaps covering up for less than delicious ingredients.
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I’ve shown you the behind the scenes and you may have seen some of the recipes, like Nonna Anna’s polpette and the love story behind them, or this comforting rice pudding but here I would finally like to properly introduce you to Tortellini at Midnight. It’s a cookbook with a family story woven throughout it that follows the ancestors of my husband Marco’s family from Taranto in Puglia to Turin in Piemonte and finally to Tuscany.
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This isn’t a pretty dessert, let’s face it. But then so many treats that you could label comforting aren’t usually, are they? And I would put this in the same category as bread and butter pudding, rice or semolina pudding, even french toast or pancakes. It’s simply good, rather wholesome, definitely rustic and absolutely homely. An oldie (literally; it comes from Pellegrino Artusi’s classic cookbook from 1891) but a goodie, I’ve made a few modifications to the nineteenth century version.
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Some of my favourite ingredients from the Maremma, in southern Tuscany, are also those flavours that I love at Christmas — I’m talking about chestnuts, dried figs, nuts and chocolate, and game like guinea fowl. They are ingredients that make this season’s table feel special yet not over the top. I’d rather be comforted by a Christmas meal than overwhelmed by one and these dishes, for me, do just that.
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Honey from a Weed is one of those few cookbooks I could keep by my bedside. I like to open it at random and become absorbed by a recipe or a story, like the one about sharing a dinner with shepherds on Naxos, the differing views of a Milanese and a Salentine diver on what to do with the an octopus, or the “majestic” Catalonian feast that ended with a century old wine that tasted of chocolate syrup. 
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Surely the best thing about colomba, the Easter equivalent to panettone, is the sugared, toasted almond topping that covers the whole thing and crumbles when you cut it, so you sort of have no choice but just to pick up the crusty sugary bits and eat those on their own. I’d always thought that colomba would make a very good baking project but was somewhat intimated by getting the right shape  — it’s vaguely in the shape of a dove, if you use your imagination — and texture — wonderfully soft, fluffy, sweet yeasted bread. 
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I have known, and admired, Julia Busuttil Nishimura, for many years now and always felt connected through our love of Italian food, Tuscany (Julia lived in Florence and in Orbetello, just 10 minutes away from where we lived in Porto Ercole while I was writing Acquacotta) and Japan. So I have been eagerly awaiting her debut cookbook, Ostro: The Pleasure that Comes From Slowing Down and Cooking with Simple Ingredients, and it is a beauty — it is full of food I want to make and eat.
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“This is a food memory for me,” Valeria said, as we podded fresh, marbled-pink, borlotti beans, “Not exactly cooking but they were one of the first activities I was involved in as a young girl helping in the kitchen during the summer months: I was on podding duty.” If you are a long time reader of this blog, then Valeria needs no introduction — we became friends, first via our blogs, years ago when we began writing monthly themed posts together for Italian Table Talk, and then not long after, in person.
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I have been busy preparing and organising some new, exciting things, from cooking classes to a workshop in beautiful Puglia in southern Italy, even a little online shop of limited edition goodies (coming soon now open!)! I’ve decided to put it all in a blog post to have in one place. And to celebrate, I’ve also got some copies of my new cookbook, Acquacotta, to giveaway to five lucky (Australia-based) readers!
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One of my personal favourite food memories of all time was the first time I realised the potential of shopping at my local market in Florence and being able to speak to the other shoppers as well as the stallholders — only I didn’t think to write down all the gems I collected as I took in bits and pieces on what to do with artichokes or how to tell which fennel bulbs are the best.
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I had seen it before, those fuzzy, furry leaves and stalks, with the pretty, star-pointed purple flowers, but up until that moment that I saw them sitting in a basket at the market stalls, I admit I had never taken notice of it as a food. It grow along cracks in stone walls and along the roadside near my home in Settignano, which is blooming with spring goodness right now: robinia (black locust) trees, wild garlic (three-cornered leek) and even elderflowers are already bursting.
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I have been dreaming about Mimi Thorisson’s black locust (robinia, acacia or false acacia) flower cake since I first came across it a couple of years ago, while searching for recipes using these bunches of white flowers with a strong, heady perfume similar to jasmine or orange blossom. I’ve been too busy frying them — dipping them in a runny batter, swirling them through a pot of bubbling oil, then eating them crunchy and piping hot, either sprinkled in sea salt or with a scant drizzle of acacia honey (of course), so sweet and clear it’s like syrup.
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The Italian Baker is one of the few cookbooks that I own two copies of, so that I have one in Italy and one in Australia and I don’t have to worry about packing it in my suitcase with me when I travel back and forth. It’s one of the few cookbooks that I have sitting on my desk, in the kitchen, ready to be flicked through or cooked from at any moment.
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I’m about to embark on the Australian book tour for Acquacotta, my second cookbook. I’m guessing this is maybe what it feels like to have a second child, you’re just as excited, and a tiny bit more confident because you have been through it before, you promise to yourself to do all the things better, but the universe will likely throw in some surprises just to keep you on your toes!
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There’s always something strange about crossing the equator and being propelled into the opposite hemisphere, season and time zone. I tried to explain it to my four year old while we were on the long plane ride from Italy to Australia a couple weeks ago: it’s like the land of opposites – when it’s night here, it’s day there, when it’s winter here, it’s summertime there.
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Just the mere mention of a horoscope and my husband will just switch off. It produces better results than him plugging your ears and singing “la la la la la”. I could be saying the most intelligent thing he’s ever heard me say but if I randomly throw in a star sign, he’s already not listening. So I tend to keep it on the down-low that in my late teens I devoured astrology books, searching for the perfect combination of planets and ascendents that would lead this Scorpio to her perfect match.
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It may not be new — the inspiration from this menu comes from Pellegrino Artusi’s nineteenth century cookbook — but it certainly is a nice way to start a new year. I’ve written about Artusi’s menus before, but in the very early stages of this blog (which has just turned 6 years old!). They have always charmed me and fascinated me, as an insight into what might be on tables in the late 1800s.
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There are a lot of claims out there for ‘best’ chocolate cake recipes, which is not only a wild claim to make, but also a tricky one as, when you consider what makes a chocolate cake ‘the best’, we are talking about preferences that are extremely personal. Chocolate cake can be many things, and serve many purposes. There are ones that are fluffy and moist, a good specimen for a birthday or even a layered wedding cake (like this chocolate olive oil cake that I made for my brother’s wedding).
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It was 2001. Two weeks shy of my 21st birthday, exactly 15 years ago. I arrived at the Santa Maria Novella station in Florence after flying halfway around the globe to Rome to start a semester-long etching course as part of my Fine Art degree. I had a suitcase and a few Italian lessons behind me — not enough to understand a conversation but maybe to figure out a menu, for the most part. 
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Autumn is quite probably my favourite time of the year for cooking. It’s that moment that I wait all year for. That immense relief, like a long sigh after a particularly hard day, when the stifling, stuffy, humid summer air cools and changes. I find relief not just in the temperature, but in being able to cook, and therefore eat, differently, too.
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I’ve had this cookbook sitting beside my bed for weeks, trying to decide what to cook. I’d pick it up, let a page fall open — almost like letting fate choose the recipe — and get distracted reading. It continued this way for a while. It’s my favourite way to read a cookbook. But the problem for me is that I’m indecisive.
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Quite possibly the best way to enjoy really good, ripe summer tomatoes – as well as making the most of spending as little time in front of a hot stove as possible – is raw tomato sauce for coating pasta. It’s something Marco makes for lunch on a warm day when he’s craving pasta al pomodoro (his ideal comfort food), but either doesn’t have the patience to cook the sauce or the desire to turn on the stove (except to boil the pasta).
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I’m really trying to stop lamenting about the heat — the relentless, humid, Tuscan heat — but it’s hard when it engulfs you 24 hours a day and there’s barely any relief from it aside from taking cold showers throughout the day. But I know I’ll want it all back as soon as winter comes and I’m chilled to the bone with that damp Florentine cold that is so hard to shake off and I’m yearning for long days and sunshine.
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I like a good list, and particularly ones about kitchen items. There are some good lists out there on what essentials you should keep in the kitchen. Like this one from Food52 and especially this one by Rachel Roddy in The Guardian.  I think partly I like them so I can fantasise about what I will have in my kitchen, one day, when I actually own one.
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It’s been two months since the book has “been out there” — Two exhilarating, nerve-wracking and unbelievable months and sold out book launch dinners and workshops in Melbourne, Sydney, Canberra and London! To say thank you for all the wonderful support and enthusiasm for Florentine, I’m sharing one of my favourite recipes from the book — a humble but delightful apple cake — and I’m giving away a limited edition print from the book to one lucky reader!
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A wonderful thing arrived on my doorstep the day before flying back to Italy: an advance copy of Regula Ysewijn’s Pride and Pudding (Murdoch books). A beautifully designed book devoted to the history of British puddings, both savoury and sweet, it’s been a labour of love for Regula aka Miss Foodwise (who not only wrote it but also did all the design, styling and the photography) and her husband Bruno Vergauwen (who did the absolutely stunning illustrations throughout).
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I couldn’t have imagined a better way to finish my Australian book tour than this. Perfect weather, the unbelievably picturesque country setting of Mickey Robertson’s home at Glenmore House, a tabletop full of spectacular props, baskets of fresh produce and a group of 11 keen and creative people wanting to learn some Florentine recipes and practice their photography skills. Luisa Brimble, right off the back of one of the Local is Lovely workshops, led the photography session, generously giving the group her best tips and tricks for styling, shooting manual in natural light and editing photographs.
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It’s officially out! We launched Florentine last week and the cookbook has started arriving on shelves. It’s finally out there. Now that it is, and this huge project, which began two years ago, is out there for everyone to see, I feel the urge to talk about the wonderful people who I worked with to make it what it is, because it is very much a collaborative project — from the publishing team, to the designer who created the beautiful marbling on the book’s cover, to the recipe testers who responded to my blog call out, to my friends and family who I forced to eat Florentine food for months on end, to my husband Marco’s advice and support, to my sister Hana who flew with me to Florence to take care of my then nearly-two-year-old while I took photographs for the cookbook, I had help.
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Two years ago I received an email from a publisher asking if I would like to make a cookbook. It was a wild, far fetched dream of mine come true. And finally, it’s here – an ode to the city where I met my soul mate, started my blog and feel most at home. To celebrate the release of the book, I have a series of events lined up in Melbourne, Sydney and Canberra.
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I seem to be raising a little cook — not a surprise really, as we probably spend three-quarters of our day in the kitchen. She has taken to liberally adding her touch to dishes that she can reach on the table (apple juice tipped into the marinade and half a jar of dried chilli flakes shaken over the salad were some highlights this week) or completely taking over whenever she sees any type of dough being made, rolled or cut out.
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“Cookbooks aren’t read in a linear fashion,” my editor explained when we decided to cut up my lengthy introduction to Florentine and place bits and pieces strategically throughout the book instead. I knew it was true. I, too, with very few exceptions (Alice B. Toklas’ cookbook and Rachel Roddy’s Five Quarters for example), love flipping randomly through cookbooks rather than reading them cover to cover.
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One of my favourite food stories ever is the one of Proust’s Madeleines. It’s a story that I think resonates with so many people because there is something about revisiting the perfume or a bite of a special, sweet treat that you had a child, when you are an adult. Something magical. Like the narrator in Proust’s Swann’s Way, a madeleine dipped in tea immediately produced a flood of memories that eventually filled seven volumes: “No sooner had the warm liquid mixed with the crumbs touched my palate than a shudder ran through me and I stopped, intent upon the extraordinary thing that was happening to me.” Well, this week an extremely pretty cookbook landed in my hands — Kate Doran’s (perhaps you know her as The Little Loaf) Homemade Memories, and it is like an entire recipe book of Proust’s madeleines, where she has recreated the classic treats from her own childhood (the same ones I’m sure many will share a love for), including homemade versions of shop-bought treats too.
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It took me a car ride from Porto Ercole to Florence – about 2 ½ hours – while I had a napping toddler behind me, to read Rachel’s new cookbook, Five Quarters. I don’t normally read cookbooks from front to back, I usually flip through them first, letting the pictures or recipe titles jump out at me — ooh that looks good!
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Living in a port town (and an island-like port town at that) means I am spoilt for choice when it comes to seafood. And when the supermarket isn’t that handy for me to get to but the local pescivendolo (the fishmonger – though I should point out, here too I am spoilt because it’s not just a fishmonger but the outlet direct from the fishermen themselves) is, it means fish is often on the menu for dinner.
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When it comes to Roman food, there is one place I like to go first — the blog of Rachel Roddy, Rachel Eats. Her book, Five Quarters, is coming out any day now and I’m pretty sure its going to be a firm favourite that doesn’t even make it to the bookshelf, it’ll just sit permanently on the kitchen counter next to my other most well-used cookbooks.
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I have to admit that when I first thought I’d like to try this recipe, I didn’t even know what elderflowers looked like. I had to google them and then once I had and I saw the cluster of tiny white flowers, spread out in that distinct, flat, oval shape, I couldn’t stop noticing them absolutely everywhere. In spring, they are prolific around Tuscany and pop up anywhere where you find green.
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I have a soft spot for handmade books. I’ve always loved them, for as long as I can remember. I love the feel of a book that you know has been made with someone’s hands and there is something so unique and immediately appealing to me about the Short Stack Editions cookbooks because of that. More like pamphlets, the little books fit neatly in your hands, have soft covers and hold a small selection of recipes (about 20), all sewn together with striped butcher’s twine.
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I’m always looking for interesting recipes in old cookbooks, things that are perhaps a bit forgotten and old fashioned or even a bit quirky. Even the classic things that haven’t changed for decades or centuries interest me for the fact that they don’t change. It’s something of a passion of mine and I’ve managed to make it the theme of my new column for Cucina Corriere, the food blog of Italian newspaper, Corriere della Sera.
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I have to admit, I was late in the game with discovering Ruth Reichl’s work. In fact, I hadn’t really known much about her until she came to Australia last year for the Melbourne Writers’ Festival to talk about her novel Delicious! But then I was serendipitously sent a wonderful book, the Italian translation of Reichl’s memoir, Tender at the Bone (La parte piu’ tenera in Italian).
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This week I was given some bad news about my cookbook. It’s release will be delayed. For those who know already the process behind the making of a cookbook (or any book for that matter), it can take months and years of work but also a lot of patience and waiting around. I thought I was quite lucky that my book was going to be released just a year after being offered the deal, but the downside to that was an extremely tight deadline.
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There’s nothing more disappointing than finding out that a recipe you’ve posted hasn’t worked out for someone. Worse if multiple people have had the same problem. Luckily in this case, it’s not my recipe, but it is a recipe that I’ve written about for my Food52 column, Regional Italian Food. It’s for a torta di noci, a traditional walnut cake from Calabria in southern Italy.
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As long as I can remember I have wanted to write a book. But in more recent years, the book of my dreams has been a cookbook. Like many with a similar dream, it’s really the whole reason I began this blog. And then one day, just like in a dream, I received an email, out of the blue. Are you doing a book?
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Today is bittersweet. It’s the last edition of Italian Table Talk, which, if you have been following over the past two years, is a monthly discussion on an aspect of Italian culinary culture that I’ve shared with fellow bloggers, Jasmine, Giulia and Valeria. It’s been an inspiring exchange, one that I’m honoured to have been part of. But after two years of emailing, brainstorming and recipe swapping, we’ve decided to finish Italian Table Talk with the theme of books.
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“First you need good beans.” The good advice of Elizabeth David always goes straight to the heart of the matter. We arrived back in Tuscany a week ago for what should be a few good months of family time, visiting friends and research, all peppered with good doses of eating and drinking. No sooner had we arrived at my mother in law’s house, weary from traveling halfway across the globe, did the pantry and kitchen doors open wide in invitation that I spotted them.
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When it comes to choosing a recipe, length does matter. Short, simple recipes always appeal to me. Carefully chosen ingredients that you can count on one hand. A gentle tousle, a sprinkle of this or some other straightforward preparations and it’s done. The good ones are balanced, even elegant, and seemingly more elaborate than they are. These are worth having up your sleeve.
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It’s a gorgeous winter’s morning – too gorgeous really to be called winter – for a drive through New South Wales countryside towards Reidsdale, near Braidwood. We pass plenty of paddocks, dotted with resting sheep and cows, a blur of pale yellow ochre under a crisp, bright blue sky. It’s a day for truffle hunting. We’re greeted in Braidwood by Kate Marshall, a Sydney girl turned country.
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Not too long ago I posted a recipe for polenta and elderflower cookies, a lovely little gem found in my go-to cookbook for inspiration, Artusi‘s Science in the Kitchen and the Art of Eating Well from 1891. It will please those that need gluten-free recipes as it’s made entirely with polenta (or cornmeal as some like to call it), which gives it a gorgeous crunch but can be a little difficult to work with as there is (obviously) no gluten to hold the dough together (by the way, you should also look at Emma’s – aka Poires au Chocolat – attempt at and thoughts on this recipe).
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They say that whatever country the Arabs passed through, they left a part of themselves in its kitchens. Although this references trade routes and voyages of over a thousand years ago, I like to think that this is still true in a more modern sense, like picking up a Middle Eastern cookbook or discovering a certain spice that you then cannot resist using in everything.
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Every now and then along comes a recipe that you may have glanced at, skimmed through, perhaps even mentally bookmarked, but between one thing and another maybe you’ve never found the time, the inspiration or the energy to actually make it. Maybe you’ve even forgotten about it. And then one day you remember it, you’re in the mood for it or something else spurs you on.
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One of my favourite things about Artusi’s cookbook, the 1891 bible of Italian cooking, is his suggested menu at the back for seasonal and traditional dishes, listing recipe suggestions by the month (see some of them here), with additional menus for special holidays. It’s not only is a quick way to glance over some of the nearly 800 recipes in his book, but it is also an incredibly interesting indication of what a meal consisted of in the late 1800s.
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It’s hard to imagine the days before I met Giulia (you may know her better as Juls from Juls’ Kitchen) and we weren’t yet friends, messaging each other constantly and plotting our next meal together. Between Florence and her countryside home in the Sienese hills, we weren’t exactly neighbours but somehow we found time – and plenty of it – to get together to cook or eat, and usually both, together.
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The very first recipe I ever made out of Ada Boni‘s classic recipe book, The Talisman, was probably also one of the easiest: amaretti biscuits, or what my 1950 English translation of The Talisman calls ‘Italian macaroons’ (not to be mistaken for French macarons, those overly fashionable discs of colourful meringue sandwiching sweet, fudgy ganache filling). ‘Italian macaroons’, much more like a good old fashioned coconut macaroon, are made with three simple ingredients: ground almonds, egg white and sugar.
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Simplicity. It’s such a reassuring concept. Everyone knows that the simple things in life are often the best, and honestly, who doesn’t need to simplify their lives every now and then? No one needs to overcomplicate their lives. And at this time of year, when the holiday rush and madness seems to be over and – well here in the Southern Hemisphere anyway – the long summer days call out for time to be spent enjoying them, you can relish in having a simple and impromptu meal, perhaps whipping this up even at the last minute with the abundance of ripe summer peaches.
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If I could, I would fill my house with books. Being someone who tends to move around a lot, having a love of collecting books can really work against me. I’ve basically left shelves lined with books in every place I’ve lived – with a plan, of course, to one day come back to them. But there are some books that I can’t leave behind, that I will always carry around with me, wherever I go.
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I was hooked at my first meal at Poggio Alloro. The family-run agriturismo and organic farm sits on a hill looking directly at the town of San Gimignano. It is one of the most stunning views of Tuscany, one of those views that you only dream about or see in postcards and wonder if there are really places that exist that look like that.
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The Italian language is fascinating and beautiful, but even more so for a food lover. Dialects and slang all add to the mix, making it even richer than what the basics cover. The brilliant Italian-American linguist Mario Pei knew a thing or two about this. The Roman-born, American-bred Columbia University Language Professor wrote over 50 books on the subject of language.
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For the past twelve months, I’ve had the pleasure of taking photographs for the cookbook of Fattoria Poggio Alloro, an organic family farm in San Gimignano, Tuscany. A record of family traditions, the farm’s seasonal produce and rustic, hearty dishes, the book is arranged month by month, season to season. A Family Farm in Tuscany: Recipes and Stories from Poggio Alloro by Sarah Fioroni will be released in the US on March 31, 2012, [and you can now order on amazon] but for now, here’s a little peek at some of the images: Not only was it a pleasure to spend time on the farm, out in the picture-perfect countryside with a backdrop of rolling hills and medieval towers, but it was a pleasure to become welcomed like part of the family, getting my hands dirty making salame or peeking into steaming pots in the kitchen.
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Twelve months ago, I posted a recipe from Artusi’s cookbook for a Sicilian almond pudding, biancomangiare. The 120 year old recipe is a classic, but it’s origins go back centuries further, when the pure white dish of biancomangiare was a monastery staple and bedside comfort food of chicken and almond milk. I wrote about the Renaissance version of this recipe recently for The Canberra Times, to coincide with the opening of an unprecedented exhibition of Renaissance painting in the National Gallery of the Australian capital city.
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Where does one start with a woman like Elizabeth David? Well, perhaps we can start with something this perfect flourless chocolate cake. A slight crust on top, moist inside, this barely-an-inch-tall cake is decadent, yet light, and disappears when it hits your mouth like a kiss. This cake must have had such an impact on ordinary British kitchens in 1960 when this recipe came out in Elizabeth David’s French Provincial Cooking.
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